Etchings, Lithographs, and Prints
Mid-Century (after the originals Circa 1850's-1840's)
Framed and Matted Prints with Crest (22" x 19")
England/United States
The original compositions date to roughly the 1815s-1840s, but these framed prints themselves are decorative reproductions from the mid-20th century (perhaps 1950s-1970s). The crest with "INTEGRITA" (Latin for integrity) suggests a commercial publisher's mark.
Sally Cochran
Giclée Print on Matte Paper: The Gypsy (n.d.)
Original, Pen and Ink
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Sally Cochran
Giclée Print on Matte Paper: The Garden District (n.d.)
Original, Pen and Ink
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Spain, Circa 1987-1997
Certificate's of Authenticity
Salvador Dalí (1904-1989) was a prominent Spanish Surrealist artist renowned for his striking and bizarre imagery. His work often featured dreamlike scenes, melting clocks, and symbolic elements, making him one of the most recognizable artists of the 20th century.
Dalí's artistic output spanned painting, sculpture, film, and printmaking, leaving an indelible mark on the art world.
1. The "Biblia Sacra" series was a significant project Dali undertook, creating a collection of illustrations for the Bible. These works often featured his signature surrealist style, reinterpreting biblical narratives with his unique visual language. The "Stultae et Prudentes Filiae" (Foolish and Wise Daughters) is one such illustration from this extensive series, showcasing Dali's ability to blend religious themes with his distinctive artistic vision.
2. "The Divine Comedy" is a series of prints created by Dali between 1950 and 1960, illustrating Dante Alighieri's epic poem. These works showcase Dalí's unique interpretation of the poem's themes, blending religious and mythological elements with his signature surrealist style. The "Preparation for the Final Prayer" is one such illustration, depicting a scene from Paradiso.
3. "The Heretics" from Canto 10 of Interno, depicts a scene from Dante's journey through hell. The certificate indicates this is a lithograph or mixed media print, published in 1987 by Les Heures Claires in Paris, after Dali's original watercolor. While signed in the plate, it is part of a non-numbered edition, suggesting it is a later reproduction rather than an original print from the initial publication period.
4. "The Tree of Punishment," is part of Dalí's illustrations for Dante Alighieri's "The Divine Comedy," specifically Canto 24 of Purgatorio. Created as a lithograph/mixed media in 1987, it is based on an earlier watercolor. The edition was published by Helikon Kiadó and Les Heures Claires, indicating a collaboration for producing these prints.
Spain
Circa 1948
Certificate's of Authenticity.
Salvador Dalí (1904-1989) was a prominent Spanish Surrealist artist renowned for his striking and bizarre imagery. His work often featured dreamlike scenes, melting clocks, and symbolic elements, making him one of the most recognizable artists of the 20th century.
These color offset lithographs are from Dalí's "Benvenuto Cellini" cycle, created in 1948. The technique is described as a color offset lithograph, and it is noted as being signed on the plate and not individually numbered, indicating it's an "ex Libris" print, likely from a book publication.
An offset lithograph is an industrial printing technique where an inked image is transferred ("offset") from a metal plate to a flexible rubber blanket, and then onto the final printing surface (like paper). It is the most common mass-production printing method for books, magazines, and art reproductions.
This is a limited edition intaglio print by Francis titled 'Trees' (15" x 19").
Intaglio is a printmaking technique in which the image is incised into a surface, and the incised line or sunken area holds the ink. It is the opposite of a relief print. Copperplate engraving is a classic example of the intaglio process.
Francis is the artist's last name, and the print is titled 'Trees'. The print is numbered 173/200, indicating it is the 173rd print of a limited edition of 200. The print features a minimalist depiction of bare trees against a gradient green background, framed in a simple gold frame.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Claude Hermann, born in 1948, is a French modernist artist known for his detailed etchings and prints. His works often feature dreamlike landscapes populated with figures, rendered in a delicate and intricate style. Hermann's art reflects a blend of traditional techniques and contemporary sensibilities, appealing to collectors interested in both classic and modern art forms.
"Une Nuit d'Ete" exemplifies Hermann's style, showcasing his skill in capturing the atmosphere of a summer night.
The etching technique allows for fine lines and subtle gradations of tone, creating a rich and evocative image.
Hermann's prints are often limited editions, adding to their collectibility and value.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Dominic LaRiccia, Automatic Pop Collection.
‘She was Practiced’ (Signed by the Artist). Black Framed Canvas, 16” x 20”
Back in 1992, Drew Robinson and Dominic LaRiccia started Spork with one purpose in mind - to draw out of your head. They loved drawing. Early on, they would occasionally do design work, branding, page layout, web design, and other related stuff. But as they matured, they realised - or re-realized - that drawing was their thing, and their clients agreed. Now, many moons later, (over 10,000!), they finally decided it was time to share their years hard work and creative energy by offering beautiful and museum quality prints and so Spork Fine Art was created.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Dominic LaRiccia, Dare To Be Collection.
‘Dare to Be’ Yellow Butterfly (Signed by the Artist). Canvas, 24” x 30”
Back in 1992, Drew Robinson and Dominic LaRiccia started Spork with one purpose in mind - to draw out of your head. They loved drawing. Early on, they would occasionally do design work, branding, page layout, web design, and other related stuff. But as they matured, they realized - or re-realized - that drawing was their thing, and their clients agreed. Now, many moons later, (over 10,000!), they finally decided it was time to share their years hard work and creative energy by offering beautiful and museum quality prints and so Spork Fine Art was created.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Dominic LaRiccia, Dare To Be Collection.
‘Dare to Be’ Green Bird (Signed by the Artist). Canvas, 24” x 30”
Back in 1992, Drew Robinson and Dominic LaRiccia started Spork with one purpose in mind - to draw out of your head. They loved drawing. Early on, they would occasionally do design work, branding, page layout, web design, and other related stuff. But as they matured, they realized - or re-realized - that drawing was their thing, and their clients agreed. Now, many moons later, (over 10,000!), they finally decided it was time to share their years hard work and creative energy by offering beautiful and museum quality prints and so Spork Fine Art was created.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Hiroyuki Tajima (1911-1984) was a prominent Japanese printmaker known for his innovative use of woodblock printing techniques. Tajima's work often features abstract forms and vibrant colors, reflecting a blend of traditional Japanese aesthetics and modern artistic sensibilities. His prints are characterized by their textured surfaces and dynamic compositions.
During the mid-20th century, Tajima gained international recognition for his contributions to the Japanese printmaking movement, known as Sosaku-hanga. His art explores themes of nature, spirituality, and the human condition, often incorporating symbolic imagery and calligraphic elements. Tajima's prints are held in numerous museum collections worldwide, solidifying his legacy as a significant figure in modern Japanese art.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Spain/France, Circa 1964
Certificate’s of Authenticity
Pablo Picasso (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist, and stage designer who spent most of his adult life in France. He is regarded as one of the most influential artists of the 20th century and is known for co-founding the Cubist movement. His prolific output spanned various mediums and styles throughout his long career.
These particular prints, titled 'Tête d'homme' (Head of a Man), are offset lithographs created in 1964, as part of a series associated with "Le Carnet Picasso" and potentially a collaboration with Citroën. Offset lithography allowed for the reproduction of artworks in limited editions, making them accessible to a wider audience while still retaining collectible value. The certificate’s indicate they are signed and dated in the plate, meaning the signature is part of the printing process, not an original hand-signature. The "Succession Picasso" designation confirms its authenticity and provenance from the artist's estate.
Span/France, Circa 1931 – 1958, or later
Certificate’s of Authenticity
These 3 Pablo Picasso lithographs are from Ovid's Metamorphoses ("Les Métamorphoses d'Ovide"), published by Albert Skira.
Pablo Picasso (1881-1973) was a Spanish painter, sculptor, printmaker, ceramicist, and stage designer who spent most of his adult life in France. He is regarded as one of the most influential artists of the 20th century and is known for co-founding the Cubist movement.
As noted, these three lithographs are part of a series illustrating Ovid's "Metamorphoses," a Roman epic poem. The edition was published by Albert Skira in Lausanne, Switzerland, in 1931. Albert Skira was a renowned publisher of fine art books, which further solidifies the importance of these lithographs in the art world. There was a subsequent edition of Picasso and Skira's "Metamorphoses," in 1958, by SNKLHU (Prague). The technique used is black and white offset lithography, a printing method that allows for the reproduction of line drawings with great fidelity. The offset lithographs capture the essence of the mythological narratives with striking simplicity.
SNKLHU (Státní nakladatelstvi krásné literatury, hudby a umění) was a prominent Cechoslovak state publishing house based in Prague, active between 1953 and 1961. It specialized in literature, music, and art, later splitting to form specialized houses, including Editio Supraphon. They are known for publishing high-quality literary works, sheet music, and art books. In 1961, the house was split, with its musical section becoming part of the Cechoslovak state music publishing company. It is considered a predecessor to the notable Odeon publishing house. Many publications, including classics and musical scores (e.g., Dvořák's A Hero's Song), were issued under this name from Prague during the 1950s.
Framed Henri de Toulouse-Lautrec “Yvette Guibert’ Lithograph, printed in 1950 (19” x 23” framed; 9’ x 13’ actual lithograph)
Henri de Toulouse-Lautrec (1864-1901) was a French painter, printmaker, draftsman, and illustrator whose immersion in the colorful and theatrical life of Paris in the late 19th century yielded a collection of exciting, elegant, and provocative images of the modern and sometimes decadent affairs of people and women. He was a vital member of the Post-Impressionist movement, known for his distinctive style that captured the essence of Parisian nightlife, cabarets, and theaters. His work often featured bold outlines, flat areas of color, and dynamic compositions, influencing subsequent generations of artists.
Yvette Guibert was a famous French cabaret singer and actress of the Belle Epoque, known for her provocative performances and distinctive style. Toulouse-Lautrec created numerous portraits and posters of her, capturing her charisma and stage presence.
This lithograph, printed posthumously in 1950 by the renowned Mourlot Frees in Paris, is a testament to the enduring appeal of both the artist and his muse, bringing a piece of that vibrant era to collectors today.
10” x 34” (each)
The depicted artworks showcase iconic global landmarks, representing New York City's Empire State Building, Paris's Eiffel Tower, and London's Big Ben. These structures are globally recognized symbols of their respective cities and have been featured in countless artistic and commercial representations throughout history. The style employed, with its vintage travel poster aesthetic and muted color palette, aims to evoke a sense of nostalgia and wanderlust, reminiscent of early to mid-20th-century travel advertising. Such imagery was popular for promoting tourism and capturing the spirit of iconic destinations.
Original artwork by Friedrich Bernard Werner, printed (engraved) by E. Dankers.
Amsterdam, Netherlands (Circa 1680)
77” x 19.25” (framed)
This engraving depicts Amsterdam during its Golden Age, a period of immense wealth and influence for the Dutch Republic. The city was a major center for trade, finance, and culture, with its port bustling with ships from around the world. The detailed depiction of the cityscape and harbor reflects the city's prosperity and its importance as a global maritime power.
Engravings like this were popular in the 17th and 18th centuries, serving as both artistic representations and historical records. They were often commissioned by wealthy patrons or produced for wider distribution, showcasing the grandeur of major cities. The Latin inscription further emphasizes the city's status and the engraver's intent to capture its magnificence.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
55.5"x42.5" Framed
Joan Sacks and Louis Nardo are known for their collaborative printmaking during the late 1970s and early 1980s. Their works often feature bold colors, intricate details, and a blend of natural and architectural elements.
Limited edition prints from this era are highly sought after by collectors interested in the art and design trends of the time.
Prints from this period often reflect the artistic experimentation and innovation that characterized the late 20th century. The large size of this print (55.5"x42.5") makes it a statement piece, suitable for display in a variety of settings. Given its size, the print would be a focal point in any collection, adding to its desirability and value.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Four framed ‘La Mode Illustrée’ Fashion Prints
‘La Mode Illustrée’ was a prominent French fashion magazine founded in 1860 and published until 1914. It was known for its high-quality illustrations of contemporary fashion, lifestyle, and domestic scenes. The magazine catered to an upper-class female readership, providing detailed depictions of the latest trends in clothing, accessories, and hairstyles.
These prints offer valuable insights into the sartorial tastes and social customs of the Victorian and Edwardian eras. The magazine employed talented artists and engravers to create visually appealing and informative content. ‘La Mode Illustrée’ remains a sought-after collectible for fashion historians, costume designers, and enthusiasts of vintage prints.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Drypoint etchings depicting Italian cypress trees in a landscape setting. The style suggests influence from the Italian Macchiaioli movement, known for its emphasis on plein air painting and capturing the effects of light and shadow. The prints are numbered 11/50, indicating they are part of a limited edition (15.5" x 11.5").
Drypoint is an intaglio printmaking technique where an image is directly scratched into a metal plate with a sharp needle. The burr created during this process holds ink, resulting in soft, velvety lines when printed. The warm-toned wood frame complements the earthy colors of the prints, enhancing their rustic charm.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Walasse Ting, also known as Ding Xiongquan, was a Chinese-American artist known for his colorful and expressive paintings and prints. He blended Eastern and Western artistic traditions, creating a unique style characterized by bold colors, spontaneous brushstrokes, and playful imagery. His "Fireworks" series is particularly celebrated for its dynamic composition and exuberant use of color. This print captures the energy and excitement of fireworks displays, translating them into abstract arrangements of splatters and drips.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Pair of Etchings by CUCA ROMLEY
These two etchings depict Water and Earth which were part of a series of four that included Air and Fire. They are signed by the artist, Cuca Romley (45/150) and have gold metal frames and plexiglass covers.
Each etching measures 5.25" x 8.5"; frames measure 12.5" x 16"
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Cuca Romley is a renowned fine artist celebrated for her limited-edition hand-colored etchings and original oil paintings which capture moments in time with extraordinary attention to detail. Her work reflects a sophisticated sense of line and color, blending timeless elegance with contemporary themes. Each piece invites viewers to connect with a place, evoking both nostalgia and a deep appreciation for the beauty of everyday life.
Born in Madrid, Romley’s artistic journey began at the prestigious École Nationale Supérieure des Beaux-Arts in Paris, where she mastered classical techniques and developed her distinct, precise style. Early in her career, she worked as an illustrator for brands like Boucheron, Dior, and L’Oréal, before moving to New York City in the 1960s. There, her work expanded to include illustrations for Vogue and Harper’s Bazaar. In the 1970s, she founded The Winter Tree Graphics, where she began creating her signature hand-colored etchings.
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Sally Cochran
Giclée Print on Matte Paper: The Gathering (n.d.)
Original, Pen and Ink
To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.
Circa 1907
Print (27”x 17.5”)
England
Cecil Aldin (1870-1935) was a prominent British artist and illustrator, renowned for his depictions of horses, dogs, and country life, particularly fox hunting scenes. His work captured the spirit and camaraderie of the British sporting tradition with a lively and often humorous touch. Aldin's illustrations were widely published in books and magazines, making his art accessible to a broad audience.
This particular print is from his "Fallowfield Hunt" series, which was published around 1907. These prints are celebrated for their detailed portrayal of the hunt, from the riders and hounds to the rural landscapes. The style is characteristic of Aldin's ability to convey movement and personality, making his hunting scenes highly collectible.