Likely European (Late 20th/Early 21st Century).

44" W (at its widest) x 83" H x 16" D

Pyramid-shaped furniture is a relatively uncommon design choice, making this vitrine a distinctive piece. While traditional vitrines are often rectangular or square, incorporating a pyramid shape adds a modern and artistic flair.

This design likely emerged in the late 20th or early 2lst century as designers experimented with unconventional forms.

Two-tone metal finishes further enhance the vitrine's contemporary aesthetic. The combination of different metals, such as brass and steel, creates visual interest and complements the glass panels. The dimensions provided (44" wide, 83" tall, and 16" deep) indicate a substantial piece suitable for displaying a significant collection of objects.

Given its unique design and size, this vitrine would likely appeal to collectors of modern and contemporary furniture.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

This is a Francois Carre sunburst cantilever garden chair.

Francois Carre was a renowned French furniture designer known for his innovative metalwork during the late 19th and early 20th centuries. His cantilevered garden chairs, characterized by their distinctive ‘wheel’ design and springy comfort, became highly sought after by wealthy patrons. These chairs were often featured in the gardens of grand estates and villas.

Carre’s designs were celebrated for their combination of elegance and durability, making them ideal for outdoor use. The cantilevered structure provided a unique rocking or bouncing motion, adding to the user’s comfort. Original Francois Carre chairs are now considered valuable antiques, prized by collectors for their historical significance and aesthetic appeal.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Ornate Mahogany Backbar in Three Sections 106 1/4" x 133" x 26"

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Regency furniture, popular in the early 19th century, is characterized by its elegant lines, classical motifs, and use of rich materials like mahogany. Duncan Phyfe, a New York cabinetmaker, became renowned for his interpretation of this style in America. His designs often incorporated lyre motifs, scrolled legs, and refined upholstery, reflecting the influence of ancient Greek and Roman forms.

These benches were often placed in front of windows, hence the name 'window seat,' and were designed to be both functional and decorative. The lyre back splat is a particularly distinctive element, showcasing the craftsmanship and attention to detail typical of the Regency period. Today, these pieces are valued for their historical significance and aesthetic appeal.

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Stools of this style often feature cabriole legs and nailhead trim, which are characteristic of both French and Italian furniture design from the 19th and early 20th centuries. The use of hardwoods like walnut or mahogany further indicates quality construction and attention to detail. Such pieces were often custom-made or acquired from high-end furniture retailers, reflecting the refined tastes of their owners.

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Ottomans have a rich history, originating in the Ottoman Empire where they were initially designed as cushioned platforms along the walls of rooms for seating. They later evolved into smaller, more mobile pieces of furniture, often serving as footstools or secondary seating options. During the Victorian era, ottomans became popular in Europe and America, reflecting a desire for comfort and luxury in domestic settings.

Vintage ottomans like this one often feature decorative upholstery and intricate woodwork, showcasing the craftsmanship of the period. The use of rich fabrics and ornate patterns adds to their aesthetic appeal, making them desirable pieces for collectors and interior design enthusiasts. The caster wheels suggest that this ottoman was designed for easy movement within a room.

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Neoclassical pedestals became popular in the 18th and 19th centuries as a way to display sculptures, vases, and other decorative objects. The style draws inspiration from ancient Greek and Roman architecture, characterized by clean lines, fluted columns, and symmetrical designs. These pedestals were often made of wood, stone, or marble, and were used in both domestic and public settings.

Marble tops added a touch of elegance and provided a durable surface for displaying items. The black finish on the fluted columns gives it a modern twist, while still retaining the classical form. These pedestals are still sought after today for their timeless appeal and ability to elevate the presentation of art and decorative objects.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.