Likely European (Late 20th/Early 21st Century).

44" W (at its widest) x 83" H x 16" D

Pyramid-shaped furniture is a relatively uncommon design choice, making this vitrine a distinctive piece. While traditional vitrines are often rectangular or square, incorporating a pyramid shape adds a modern and artistic flair.

This design likely emerged in the late 20th or early 2lst century as designers experimented with unconventional forms.

Two-tone metal finishes further enhance the vitrine's contemporary aesthetic. The combination of different metals, such as brass and steel, creates visual interest and complements the glass panels. The dimensions provided (44" wide, 83" tall, and 16" deep) indicate a substantial piece suitable for displaying a significant collection of objects.

Given its unique design and size, this vitrine would likely appeal to collectors of modern and contemporary furniture.

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The Chateau d'Ax brand was founded in 1948, in the heart of Brianza, between Milan and Como (Italy), a district of excellence in the production of Italian furniture. They have 75 years of production experience. 75 years of design and innovation in the upholstered furniture business. 75 years of development in all international markets.

Production know-how and flexibility enable to create the collection and appropriate strategy for each market, in order to provide their customers with the best solution in terms of quality and design.

The use of faux exotic leathers like alligator and crocodile became popular in the mid-20th century as a more accessible alternative to genuine reptile skins. These materials allowed for a similar aesthetic appeal without the high cost and ethical concerns associated with using real animal hides. Italian furniture makers, in particular, embraced these materials, creating stylish and luxurious pieces for the home.

Ottomans like this one were often used as footstools, extra seating, or as decorative elements in living rooms and bedrooms. The Chateau d'Ax brand is known for its contemporary Italian design and use of high-quality materials, making this ottoman a stylish and functional addition to any modern home.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

This is a Francois Carre sunburst cantilever garden chair.

Francois Carre was a renowned French furniture designer known for his innovative metalwork during the late 19th and early 20th centuries. His cantilevered garden chairs, characterized by their distinctive ‘wheel’ design and springy comfort, became highly sought after by wealthy patrons. These chairs were often featured in the gardens of grand estates and villas.

Carre’s designs were celebrated for their combination of elegance and durability, making them ideal for outdoor use. The cantilevered structure provided a unique rocking or bouncing motion, adding to the user’s comfort. Original Francois Carre chairs are now considered valuable antiques, prized by collectors for their historical significance and aesthetic appeal.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Double X-benches have a long history, dating back to ancient times when folding stools were used for both practical and ceremonial purposes. The design gained popularity in Europe during the Renaissance and has been reinterpreted in various styles over the centuries. Modern versions of the double X-bench often incorporate contemporary materials and bold patterns, reflecting current design trends.

Animal prints, such as leopard or cheetah patterns, have been a recurring motif in interior design, symbolizing luxury and exoticism. The combination of the classic bench form with a modern animal print creates a statement piece that can add personality to a variety of interior spaces. These benches are often used as accent furniture in living rooms, bedrooms, or entryways.

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Ornate Mahogany Backbar in Three Sections 106 1/4" x 133" x 26"

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Regency furniture, popular in the early 19th century, is characterized by its elegant lines, classical motifs, and use of rich materials like mahogany. Duncan Phyfe, a New York cabinetmaker, became renowned for his interpretation of this style in America. His designs often incorporated lyre motifs, scrolled legs, and refined upholstery, reflecting the influence of ancient Greek and Roman forms.

These benches were often placed in front of windows, hence the name 'window seat,' and were designed to be both functional and decorative. The lyre back splat is a particularly distinctive element, showcasing the craftsmanship and attention to detail typical of the Regency period. Today, these pieces are valued for their historical significance and aesthetic appeal.

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Stools of this style often feature cabriole legs and nailhead trim, which are characteristic of both French and Italian furniture design from the 19th and early 20th centuries. The use of hardwoods like walnut or mahogany further indicates quality construction and attention to detail. Such pieces were often custom-made or acquired from high-end furniture retailers, reflecting the refined tastes of their owners.

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Ottomans have a rich history, originating in the Ottoman Empire where they were initially designed as cushioned platforms along the walls of rooms for seating. They later evolved into smaller, more mobile pieces of furniture, often serving as footstools or secondary seating options. During the Victorian era, ottomans became popular in Europe and America, reflecting a desire for comfort and luxury in domestic settings.

Vintage ottomans like this one often feature decorative upholstery and intricate woodwork, showcasing the craftsmanship of the period. The use of rich fabrics and ornate patterns adds to their aesthetic appeal, making them desirable pieces for collectors and interior design enthusiasts. The caster wheels suggest that this ottoman was designed for easy movement within a room.

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Neoclassical furniture emerged in the mid-18th century as a reaction against the ornate styles of the Rococo period. Drawing inspiration from ancient Greek and Roman designs, neoclassical furniture emphasized symmetry, clean lines, and classical motifs.

Common features include fluted columns, geometric shapes, and the use of luxurious materials such as marble and exotic woods.

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Ottoman Empire as cushioned seating without backs or arms. They were introduced to Europe in the late 18th century and became popular as versatile pieces of furniture in Victorian and later interiors. During the mid-20th century, ottomans often featured luxurious fabrics and decorative details, reflecting the glamour of Hollywood Regency style.

This particular ottoman's design, with its patchwork top and lacquered base, suggests a blend of styles. The scale-like pattern on the upholstery adds a touch of visual interest, while the corded edges and decorative trim enhance its overall elegance. Such ottomans were often used as footrests, extra seating, or even as decorative accents in living rooms and bedrooms.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Neoclassical pedestals became popular in the 18th and 19th centuries as a way to display sculptures, vases, and other decorative objects. The style draws inspiration from ancient Greek and Roman architecture, characterized by clean lines, fluted columns, and symmetrical designs. These pedestals were often made of wood, stone, or marble, and were used in both domestic and public settings.

Marble tops added a touch of elegance and provided a durable surface for displaying items. The black finish on the fluted columns gives it a modern twist, while still retaining the classical form. These pedestals are still sought after today for their timeless appeal and ability to elevate the presentation of art and decorative objects.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.