Drawing on the personal inspiration of his late grandmother, Rebecca Olivia Martin, Austin Snowden has created a series of beautiful pots. Each pot feature a lovely lavender color, a shade that was a favorite of both Austin and his grandmother. Each piece is a testament to Austin's unique firing process, where the pots are fired to a searing 1,000° Fahrenheit. They are then carefully moved to a reduction chamber and, while still hot, are quenched in water. This final step is what stops the oxidation process and gives each pot its own unique character.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Drawing on the personal inspiration of his late grandmother, Rebecca Olivia Martin, Austin Snowden has created a series of beautiful pots. Each pot feature a lovely lavender color, a shade that was a favorite of both Austin and his grandmother. Each piece is a testament to Austin's unique firing process, where the pots are fired to a searing 1,000° Fahrenheit. They are then carefully moved to a reduction chamber and, while still hot, are quenched in water. This final step is what stops the oxidation process and gives each pot its own unique character.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Austin Snedded, Ceramist

Pair of Wild Turkey Feather Rakus: ‘UNTITLED #2’ and 'Untitled #3'

23.5" x 23.5" Wild Turkey Feather Raku (2025)

Each tile is individually formed, cut, and fired to 1,000 degrees farenheit before it is taken out of the kiln. While the tile is red hot and fresh from the kiln, it is to be decorated with horsehair and/or wild turkey feathers at just the right temperature. Too hot and the carbon burns away, too cool and the carbon does not imprint. It’s a wild dance Austin is very passionate about.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Austin Snedded, Ceramist

‘UNTITLED #1’

26.5" x 26.5" Horsehair Raku (2025)

Each tile is individually formed, cut, and fired to 1,000 degrees farenheit before it is taken out of the kiln. While the tile is red hot and fresh from the kiln, it is to be decorated with horsehair and/or wild turkey feathers at just the right temperature. Too hot and the carbon burns away, too cool and the carbon does not imprint. It’s a wild dance Austin is very passionate about.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

This is a signed studio pottery vase.

Studio pottery, which emphasizes the artist's direct involvement in all stages of ceramic production, gained momentum in the mid-20th century. Artists often developed unique glazes and forms, reflecting their individual styles and philosophies. The emphasis was on handcrafted quality and artistic expression, rather than mass production.

Signed and dated pieces of studio pottery offer valuable insights into the artist's career and the evolution of their work. The '73' date suggests this vase was created during a period of experimentation and growth in the studio pottery movement. The vase's form and glaze are typical of studio pottery from this era, showcasing a blend of organic shapes and earthy tones.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

The American studio pottery movement gained momentum in the mid-20th century, emphasizing individual craftsmanship and artistic expression. Potters often experimented with unique glazes, forms, and firing techniques, resulting in one-of-a-kind pieces.

These artists sought to elevate ceramics from functional objects to works of art.

Many studio potters established workshops in rural areas, drawing inspiration from nature and local materials. The "F 85" designation likely indicates that this piece was created in 1985.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Likely USA (Circa 1970's-1980's)

Studio pottery emerged as a significant movement in the early 20th century, emphasizing the artist's direct involvement in the creation of ceramic pieces, from forming the clay to applying glazes. This approach valued individual expression and craftsmanship over mass production. The movement gained momentum in the mid-20th century, particularly during the 1970s and 1980s, when many artists explored unique forms and glazing techniques.

This vase appears to be a product of that era, showcasing a blend of earthy tones and a distinctive glaze application. The style reflects a departure from traditional pottery, embracing a more organic and free-form aesthetic. The presence of the artist's mark, in this case the letter "A", adds to its uniqueness and collectability, as it can potentially be traced back to a specific artist or studio.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Celadon pottery originated in China and has been produced for centuries, prized for its subtle green glaze that resembles jade. The glaze is achieved through a specific firing process that reduces iron oxide to ferrous oxide, creating the distinctive color. Celadon ware was particularly popular during the Song Dynasty (960-1279 AD).

This vase, with its 10" x 10" dimensions, is a substantial piece, making it more desirable as a decorative item. The matte finish and the style of the floral design suggest a contemporary interpretation of classic celadon aesthetics.

While it may not be an antique, its decorative appeal and craftsmanship still give it considerable value.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

The vase is characteristic of the Art Nouveau movement, which flourished from the 1890s to the 1910s.

This era was characterized by its emphasis on organic forms, intricate designs, and the incorporation of natural elements. Art Nouveau aimed to break away from traditional artistic styles, embracing modernity and innovation in design.

The vase's floral motifs, flowing lines, and use of color are all hallmarks of Art Nouveau aesthetics.

Given the style and the floral design, it resembles some of the pottery produced by companies like Amphora or even some of the more elaborate pieces from makers in Longwy, France, known for their enameled pottery.

Without a maker's mark, it's difficult to pinpoint the exact origin, but the quality suggests a well-regarded manufacturer from the period.

Pieces from this period often feature stylized depictions of flowers, leaves, and other natural forms, reflecting a desire to bring the beauty of the natural world into everyday objects. The style was particularly popular in Europe and the United States, influencing various art forms, including ceramics, glasswork, and decorative arts.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Red Wing Pottery was founded in Red Wing, Minnesota, in 1877. The company produced a wide range of stoneware, art pottery, and dinnerware. Red Wing is particularly known for its mid-century modern designs and durable, functional pieces that were popular in American households.

The company ceased production in 1967, making vintage Red Wing pieces increasingly collectible. The matte pastel colors, like the pink seen in this vase, were a signature of Red Wing's art pottery line. These pieces often have a simple, elegant form that fits well with both vintage and contemporary decor.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

The style of glazing and the vibrant color palette suggest this piece may be an example of Majolica ware, a type of pottery characterized by its colorful lead glazes.

Majolica pottery gained popularity in the 19th century, particularly during the Victorian era, and was produced in various countries, including England, France, and Italy.

French Majolica, such as that produced by Saint-Clément, is known for its intricate designs and high-quality craftsmanship. The bold colors and somewhat rustic design align with pieces from the mid-20th century. The piece's aesthetic aligns with mid-century modern design principles, which emphasized bold colors and organic forms.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Aldo Londi was a prolific Italian designer known for his innovative work with Bitossi Ceramiche. He began his career at Bitossi in the 1940s and served as the company's artistic director for over 50 years. Londi's designs are characterized by their bold colors, geometric patterns, and distinctive textures.

His work often incorporated the 'Rimini Blu' glaze, a vibrant blue hue that became synonymous with Bitossi. Londi's pieces are highly sought after by collectors for their artistic merit and contribution to mid-century modern design. The 7" size is a common and desirable size for collectors.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

This is a late 20th-century Chinese Bombay Blue and White Vase.

Bombay is a brand known for producing decorative home goods, often with designs inspired by Asian aesthetics. These items gained popularity in the late 20th century for their accessible price point and stylish appearance. Bombay vases, in particular, frequently feature traditional Chinese motifs such as blue and white porcelain, floral patterns, and depictions of birds.

While not antique in the strictest sense, Bombay pieces have become increasingly collectible as they represent a specific era of home decor. The brand's ability to blend classic designs with contemporary manufacturing techniques has made their products appealing to a wide audience.

Collectors appreciate Bombay items for their decorative value and the sense of nostalgia they evoke.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Blue and white porcelain originated in China during the Yuan Dynasty (1279-1368) and became a dominant style during the Ming (1368-1644) and Qing (1644-1912) dynasties. The cobalt blue pigment used for the decoration was often imported from Persia, adding to the value and prestige of these wares. The designs typically feature landscapes, figures, and auspicious symbols.

These vases were produced for both domestic use and export, becoming highly sought after in Europe and other parts of the world. The technique involves painting the design onto the porcelain body before glazing and firing at high temperatures. The resulting pieces are prized for their beauty, durability, and cultural significance.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Pair of Tall Black Ceramic Obelisks (6.5" base x 31" tall).

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Blue Aqua Ceramic Cut-Out Vase

10” x 6”

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Handcrafted Contemporary Green Drip-Glazed Ceramic Vase (12.5” tall)

The glaze effect is achieved by allowing the top layer of glaze to run down the sides during firing. Influenced by the art pottery tradition, showcasing a flowing glaze effect, the style is reminiscent of the experimental glaze techniques that were popular during the early 20th century, where potters sought to create visually striking and unique surface finishes.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

This Anheuser-Busch "After The Hunt" stein was produced in 1991 as part of a series of collectible beer steins. These steins were often commissioned to commemorate special events or to celebrate the company's heritage. They were typically made in limited editions, making them attractive to collectors.

Anheuser-Busch, the brewer of Budweiser, has a long history of producing collectible items, including steins, to promote its brand. The

"After The Hunt" stein features a detailed scene, likely inspired by classic hunting imagery, and is made with a combination of ceramic and metal components. While not exceptionally rare, these steins are sought after by collectors of breweriana and Anheuser-Busch memorabilia.

To inquire about pricing and availability, please email BALL HILL The Arcade at info@ballhill.com.

Melina Hannigan (Newark High School Student)

Bone Chilling (2024)

Earthware and Glaze

Inspired by the ten movement piano suite “Pictures at an Exhibition” by Russian composer Modest Mussorgsky, and the Catacombs of Paris.

From the Collection of Kevin & Chris

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